Thursday, August 29, 2013

Food Rules, an eater's manual by Michael Pollan




Part I: Bibliographic information


Type: Nonfiction
Title: Food Rules: An Eater’s Manual
Writer: Michael Pollan
Copyright Date: 2009
Publisher: Penguin
ISBN: 978-0-14-311638-7
Genre/subgenre: Health/nutrition
Interest Age: 13+
Reading Level: Upper Grades (UG 9-12)
Pages: 140
Awards:  New York Times bestseller


Part I: Reader’s Annotation, Plot Summary, Critical Evaluation


Reader’s Annotation --  A pocket-sized paperback book offering up the abridged version of Pollan’s ideas about food, which are presented as 64 rules to eat by.


Plot Summary --  This book has been called a rehashing of the ideas presented in Pollan’s earlier bestsellers, The Omnivore’s Dilemma (2006) and In Defense of Food (2008).  Yet that is precisely what makes it such a good read for people on the go and, in particular, for young readers. You get the concepts that have made Pollan a multi-book New York Times best-selling author but it’s accomplished in a brief but inspiring introduction followed by 64 rules with brief explanations.  He also qualifies these rules a s “policies” (Pollan, 2009, p. xx) to guide us rather than hard-and-fast rules not to ever break.  The rules are presented in three sections, and he suggests that if we adopt one policy from each of the sections it will go a long way to improving our eating and health.  Each section corresponds to his three-fold philosophy about food, which is, “Eat food. Mostly plants. Not too much,” according to Pollan.


The first section is titled, “What should I eat?”  The answer is simply to ‘eat food’.  But that’s not easy to define these days, according to Pollan.  “The highly processed food products of modern food science” (Pollan, 2009, p.3) may look like food but they are not in Pollan’s view.  These initial rules are designed to help the shopper/eater recognize the “edible food like substance” mostly made of corn and soy -- that’s been highly processed and genetically modified -- and not really food.  We are to avoid products that our grandmother would not recognize, that contain products that ordinary folks would not keep in the pantry, that a third grader cannot pronounce, that contain high fructose corn syrup or sugar as a top five ingredient, that make health claims, that will not rot.  By rule 19 we hardly need explanation so he drops it -- and simply states, “If it came from a plant, eat it; if it was made in a plant, don’t (p.41).


The next section helps us decide what to eat as opposed to what not to eat.  “Mostly plants” is something that Pollan drives home in all his work.  This section pulls from his ideas about traditional diets being superior to the Western diet based on mortality and disease rates.  He does not advocate any particular diet pr ingredient but rather that we eat whole foods.  He also adds his take on meat -- we are to eat less of it and from sources with as few legs as possible. Diversity -- or eating like an omnivore -- is also a recommendation.  This includes lots of different vegetables of varying color since we know chemically speaking the color is typically an indicator of antioxidant content.  Finally, he suggests we consider what soil and food source is behind the food we eat as well.


The final section titled “How should I eat?” addresses quantity.  The answer is “Not too much.”  He points to the French pattern of eating -- seldom snacking, small plates, no seconds -- as a key to weight control.  Obesity is linked to disease and Americans have higher and higher rates of both.  The almost obvious rule here is to eat when you are hungry not when you are bored, according to Pollan.  Again, he suggest we slow down our eating like the French because it can take 20 minutes for the brain to register that it is satisfied biochemically.  Simply eating slower allows us to recognize that we are full.  He also suggest that we eat at a table -- a habit that surprisingly few Americans still abide by and particularly teenagers.  We eat alone, in our car, at the gas station, from drive thrus -- all of which Pollan says tends to promote too much eating and, consequently, obesity and disease.


Critical Evaluation --  This books has been criticized as duplicative of Pollan’s other works.  So be it!  Not everyone has the desire to read a treatise on food -- and that is what The Omnivore’s Dilemma (2006) is really so the reader can graduate to that if desired.  The introduction to Food Rules (2009) in and of itself is a worthwhile read -- and, yes, it contains a lot of Pollan’s core ideas about food.  First, he argues nutrition science is in its infancy.  Second, he presents the two “Facts” that he came back to about food: first, the Western diet is linked to disease and, second, more traditional diets are less connected with disease.  So he sets up to want to listen. This is why I think this short read is particularly good for teens.  Pollan is convincing and to the point.  


If I had to offer a criticism, I’d suggest it is in this occasionally in his brevity that we lose the thread of logic that connects the rules. The introduction is so powerful and fluid that the rules feel a staccato -- and some offer no explanation and would maybe be better off left out?  But he helps the reader out by breaking these into three components -- what should I eat, why kind of food should I eat and how should I eat.  Those categories are not entirely mutually exclusive and so the list feels a bit lengthy even if the book is not.  Note: there is also an illustrated version of this book featuring the drawings of Maira Kalman.  I highly recommend that version for young adult collections though I was not able to find it for the purposes of this review.


Part III: Author Info


Michael Pollan is an author and journalist who has focused much of his writing career on and around the subject of food.  His latest work is titled Cooked (2012) and focuses on   In The Botany of Desire (2001), he also written about the idea of co-evolution in which human’s impact and direct the development of other living things to meet our needs.  


His personal history is summarized on his webpage as follows: “Michael Pollan, who was born in 1955, grew up on Long Island, and was educated at Bennington College, Oxford University, and Columbia University, from which he received a Master’s in English. He lives in the Bay Area with his wife, the painter Judith Belzer, and their son, Isaac” (Pollan, 2013).


Part IV: Curriculum Ties, Diversity, Booktalk Ideas, Challenge Issues


Curriculum Ties, if any --  Nutrition takes a backseat to hard sciences in schools by and large.  However, a good science teacher might see the wisdom of combining Pollan’s work with either a biology or chemistry course.  Additionally, this read would fit well in a health/nutrition course as an alternative to the textbook approach.


Diversity of Cultures -- There is some discussion of the idea that other more traditional cultures seem to have it better health on the whole than the Westerner.


Booktalking Ideas --  Almost universally, teens consume fast food and a lot of them enjoy it more than traditional meals.  But if you buy Pollan’s argument, our food choice are literally killing us. So our eating habits catch up with us eventually.  Without giving up on eating, what changes might we make based on Pollan’s rules that would point our bodies in a healthier direction.


Challenge Issues -- None unless you love fast or processed food.  He does suggest in Rule 43 that wine is good for you.


Part V: Reasons chosen


Food is fundamental.  We consume it multiple times a day for our entire life.  Yet the discussion of food as a means of maintaining health seems to start when we are halfway through our lives and we are either overweight or sick -- or both.  Health classes simple reiterate that with FDA has decided to put it’s rubber stamp to.  But people for generations have known what foods are good and not good for us.  Pollan has tapped into the shared wisdom and presented it to us in a easy to digest format that even a child could comprehend.  The figures are indisputable that we as a nation are overweight and undernourished.  I think this book sends a powerful message about why that is and what we can as individuals do about it.  I’d put it in the hands of every teen if possible.  It’s important stuff that can save them a lot of time and effort on fad diets and in the end promote a healthy long-term relationship to food.


Part VI: Citations


Pollan, M. (2013). About Michael Pollan [webpage]. Retrieved from http://michaelpollan.com/press-kit/

Pollan, M. (2009). Food Rules. New York, NY: Penguin.

Wednesday, August 28, 2013

Gale Virtual Reference Library, a service provided FREE to Idahoans by lili.org




Part I: Bibliographic information


Type: Online reference service
Title: Gale Virtual Reference Library
Publisher: Gale Cengage Learning
Origination date: 1952 -- full-text indexing dates to 1990
Broad Focus: Subject-based reference resources
Subject(s): Multidisciplinary: Arts, biography, education, environment, history, literature, medicine, multicultural studies, nation and world, science, social sciences
Specific inclusions of note:  Varies from 2000 to present
Full text: Yes; content varies by resource within the collection
Indexed/Abstracted: Indexed in tables of contents; not searchable by terms
Target audience: Secondary schools, libraries
Online: By subscription through many major libraries and library consortium; www.lili.og
Comparables: Wikipedia.org; Google Scholar; Encyclopedia Britannica online.


Part I: User’s Annotation, Summary, Critical Evaluation


User’s Annotation --  This service is unique in that it is not a database of journal articles.  Rather it is a collection of select reference resources targeted at a general audience.  


Summary --  The collection includes eleven primary categories: Arts (1) Biography (1), Education (2), Environment (3), History (8), Literature (7), Medicine (4), Multicultural Studies (1), Nation and World (2), Science (8), Social Studies (1).  The inclusions are typcially encyclopedia or textbooks on topics of use to secondary-level students.


Some noteworthy inclusions are:


  • Notable Sports Figures (2003)


  • The College Blue Book (2007) and Scholarships, Fellowships and Loans (2009)


  • Literary Themes for Students (2007)


  • Nutrition and Well-Being A-Z (2004)


  • Grzimek’s Animal Life Encyclopedia (2003)


Each resources is presented electronically yet uniformly such that the user is able to see the Title Page, Contents, Introduction, individual chapters in a consistent fashion.


There is also an easy link to the Merriam-Webster’s Collegiate Dictionary provided.


The Help Guide allows listening to articles, bookmarks, pdf reader for saving content and multiple language access.


Part III: Publisher Info


Gale is a publishing entity established in 1954 by Frederick Gale Ruffner. The company was acquired by Thomson Corporation of Canada in 1985 and subsequently became part of Cengage Learning n 2007.  Now called Gale Cengage Learning, the company has diverse involvements within the public and academic libraries and educational institutions.  InfoTrac is their online databases tool and it is widely used in schools and libraries.  Additionally, the multi-volume Gale Virtual Reference Library is a hallmark product of the company.  They also own a number of publishings entities, including MacMillan Reference and Pearson as well as operating the websites Questia.com and Encyclopedia.com (Gale, n.d.).


According to the company’s website, the following describes their operation: “Cengage Learning is a leading provider of innovative teaching, learning and research solutions for the academic, professional and library markets worldwide. The company's products and services are designed to foster academic excellence and professional development, increase student engagement, improve learning outcomes and deliver authoritative information to people whenever and wherever they need it. Through the company's unique position within both the library and academic markets, Cengage Learning is providing integrated learning solutions that bridge from the library to the classroom. Cengage Learning's brands include Brooks/Cole, Course Technology, Delmar, Gale, Heinle, South-Western and Wadsworth, among others” (About Gale, 2013).


Part IV: Curriculum Ties, Diversity, Booktalk Ideas, Challenge Issues


Curriculum Ties, if any --  There are several resources in this collection that would lend themselves to a classroom setting.  In particular, the Political Theories for Students is a comprehensive look at the gamut of political perspectives.  A government or history course could integrate its use into specific assignments or use it for reference purposes in combination with other readings.


Diversity of Cultures -- There is a resource called the UXL Encyclopedia of Native American Tribes included.  It includes an overview, including history, language and geographic details.  Additionally, the Encyclopedia of Modern Middle East and North Africa offers an alternative perspective to the Western-centric perspective of the world.


Classroom Ideas --  A good classroom activity would be to ask each student to review one of the twenty-something resources within the collection.  Providing a summary of the resource, information on its authors and publishers as well as a review of the resource from the student’s perspective would be one approach to exploring the numerous aspects of this Gale resource in depth.


Part V: Reasons chosen


In Idaho, Gale Virtual Reference Library is available to all residents via lili.org, a website funded by the Idaho Commission for Libraries.  This makes it an easily accessible tool for those without access to a physical library or those whose libraries are not maintaining current reference materials.  The demise of the print encyclopedia marked by Encyclopedia Britannica’s announcement in 2012 that it will no longer publish a printed edition is a huge change for the world of reference.  Options such as wikipedia are increasingly the primary resources for information for those doing basic online research.  While wikipedia has many virtues that are largely and undeservedly unsung  within the academic world, there is still a need for alternatives and approaches that involve more traditional models for sourcing and validation of the materials.  My sense is that librarians and educators who work with teens need to be familiar with and promote a handful of basic tools of research and a well-rounded knowledge would include Gale Virtual Reference Library.


Part VI: Citations


About Gale. (2013). Cengage Learning [website].  Retrieved from http://www.gale.cengage.com/about/

Gale. (n.d.). Wikipedia [website]. Retrieved from http://en.wikipedia.org/wiki/Gale_(publisher)

Weetzie Bat, a young adult novel by Francesca Lia Block



Part I: Bibliographic information

Type: Fiction
Title: Weetzie Bat
Writer: Francesca Lia Block
Copyright Date: 1989
Publisher: HarperCollins Publishers
ISBN: 0-06-073625-9
Genre/subgenre: YA Fiction/Magical Realism
Interest Age: 13+
Reading Level: Upper Grades (UG 9-12)
Pages: 109
Awards:  Children’s Literature Association, Phoenix Award (2009); Weetzie Bat (1989) is “a Charlotte Zolotow book.”

Part I: Reader’s Annotation, Plot Summary, Critical Evaluation

Reader’s Annotation --  Capturing the Los Angeles hipster scene of the late 1980s, this lyrical novel evokes sentimentality for Hollywood in its glamour days as recalled through the eyes of a young native named Weetzie Bat and her cadre of creatively named friends -- Dirk, Duck and My Secret Agent Lover Man.

Plot Summary --  The story opens with Weetzie still in high school yet already marching to her own drummer.  She befriends Dirk, a mohawk wearing gorgeous guy, as he comments on her Indian-themed garb.  They become buddies and ride around in his ‘55 Pontiac and she becomes close with his grandmother, Fifi, who has raised Dirk.  They find pleasure in the remnants of a Hollywood’s heyday such as going to “The Girl Can’t Help It” starring Jane Mansfield and eating at the famous Cantor’s of West Hollywood where stars had frequented since the 1930s.

Both Weetzie and Dirk -- who comes out to Weetzie early on -- want to meet their perfect match, which they term a ‘Duck’.  While duck hunting, Weetzie meets a creepy lead singer who does not treat her well.  Dirk makes her leave him.  Not long after she is given the magic lamp by Grandmother Fifi and when the genie comes out Weetzie wishes for their ‘Duck’ -- and for a home for Dirk and Weetzie.  All three wishes come true but sadly it means that Dirk’s grandmother passes and they inherit the house, which they live in together.  First, Dirk meets his duck, Duck.  And, finally, Weetzie finds her duck, too, My Secret Agent Lover Man.

We are introduced to Weetzie’s father along the way.  Charlie Bat is a screenwriter from New York who only lasts so long in Los Angeles, which he detests.  He’s creative, generous and kind but not stable and prone to drinking.  Her mother was a starlet in his first film and the two had a passionate beginning that petered as she turned bitter about his escapades.  He returns to New York when Weetzie is a pre-teen and she only sees him on visits to New York from then on.

Weetzie’s My Secret Agent Lover Man is a filmmaker and he wants Weetzie and her friends to be in his films.  They make a few and finally a successful one makes them enough to be fairly comfortable in life.  Weetzie feels she wants more and that a child would make her happy.  He disagrees and does not want to bring a child into the imperfect world.  She goes ahead and gets pregnant, however -- by sleeping with Duck and Dirk.  Their plan is to raise the child together.  But My Secret Agent Lover Man leaves over this decision -- and the child -- Cherokee -- is born while he’s away.  

Eventually he does come back and realizes he belongs with them.  They get another dog to be the companion of Slinkster Dog whose been her constant companion along the way.  And, one day a woman shows up at the door who is looking for ‘Max’.  She’s apparently someone he saw while away and she is pregnant.  She goes away and one day a second baby girl shows up on their doorstep.  They name her Witch Baby because her mother was so awful and dark.

Weetzie has a final visit with her father and we start to see the darker side of both Charlie and her mother, Brandy-Lynn -- both of whom drink too much and have resigned to lift to some degree as Weetzie sees it.  She loves and admires them both, however -- and is crushed when her father is found dead after an apparent overdose in his New York apartment.  Somehow she manages to see forward through the foundations that she has built for herself and they dedicate their film, ‘Shangra-L.A.’ to him

The final chapter is about Duck leaving Dirk when he hears about the illness from AIDS of a dear friend.  Duck runs away from it all and does not stay in touch.  Dirk is deeply sad and cannot help but go in search of him.  Eventually, he finds Duck in San Francisco and they come back to L.A. and all live together, happily.

Critical Evaluation -- This whimsical portrait of the lives of young Weetzie and her atypical family and friends bleeds forth rich characterizations.  Each is introduced with a bit showmanship by Block, whose imaginative descriptiveness is a real foundation of this work. Ultimately, it is the circle of people that surround Weetzie against which we can measure her shining-star qualities of understanding, compassion and patience.

Grandmother Fifi provides Dirk and Weetzie confidence in the future -- and ultimately she grants her the three wishes that make Weetzie’s dreams possible.  Herein we are introduced to the first major element of magical realism.  Yet one might see through her portrait of the situation and credit the kindred older lady for having given Dirk and Weetzie not just her home but the confidence in life they lacked to seek out their perfect matches.  The magical realism is just a creative way of conveying the importance the woman plays in their somewhat torrid lives.  

Once Weetzie and Dirk have the home and ‘ducks’, she feels that she wants a child.  For Weetzie, this is the answer to her existential moment after all else became ‘fine’.  Her decision to have a baby despite My Secret Agent Lover Man’s objections underlines that Weetzie is a modern woman who makes her own decisions.  In fact, the theme we see throughout the work harkens back to living according to one’s own convictions -- or, in the words of Hamlet, “to thine own self be true.”  This very old sentiment is recaptured in a very modern setting of aging Hollywood where Weetzie and Dirk are rooted.

Weetzie’s optimism drives us forward through their misadventures as she always manages to look to the bright side of life and see the best in people. Ultimately, they manage to find their niche in film.  They make zany ‘B’ films with implausible plots and in which they are the stars.  These typically harken back to a better time and place but are not without tragedy -- and, in the case of their final film ‘Shangra-L.A., a tragedy that ends the young wanna-be starlets’ suicide, life imitates art for Charlie Bat who thought of the ending.  HIs demise carries something of a moral theme inasmuch as his drinking and inability to tow the normal line leads to his dying alone and unnecessarily.

This short work packs a lot of wisdom a la Weetzie, the star of her world if not a real starlette like her mother had been.  It’s a work that is bittersweet at times but carries the message that life can be good given optimism and compassion -- and perhaps a bit of magic.

Part III: Author Info

Weetzie Bat (1989) was the debut novel of Francesca Lia Block, who continues to write in the young adult arena with other works, including a series that follows Weetize and friends called Dangerous Angels and her most recent work titled Love in the Time of Global Warming (2013).  This novel was written while she was still a student at U.C. Berkeley, according to Block.

Her website offers this about her life’s work: “Block has described her work as ‘contemporary fairy tales with an edge,’ where the real world and its trouble find solace through the magic of creative expression and love. She has received numerous honors, including the Margaret A. Edwards Lifetime Achievement Award and the Phoenix Award, as well as citations from the American Library Association, The New York Times Book Review and the School Library Journal. Her work has been published around the world, translated into many languages” (Francesca, 2013).

Part IV: Curriculum Ties, Diversity, Booktalk Ideas, Challenge Issues

Curriculum Ties, if any -- This is a literary work inasmuch as it has been read and studied beyond its time and place.  I feel it could be taught in classrooms as a model of young adult literature -- it offers numerous qualities that would engage conversation of character, plot, style and lenght (Sparks, n.d.).

Diversity of Cultures -- The novel delves into a subculture of youth circa the late 1980s in urban Los Angeles.  Weetzie’s best friend Dirk is gay and he has a boyfriend with whom he lives.  The novel is considered a significant work of gay literature.  There is also a cross-racial couple who Weetzie befriends.

Booktalking Ideas --  Weetzie is a memorable character in many ways.  Some of her endearing qualities are her acceptance of differences. What are some of the circumstances in her world that she overcomes through her compassion for others?

Challenge Issues --  Premarital sex and parenting out of marriage; homosexuality; underage drinking: this novel does not indulge in detailed sexual descriptions, however.  The sexuality is presented in subtle ways and are tangential to the story.

Part V: Reasons chosen

Young adults novels tend to fall into a formula to some degree.  This often involves a misunderstood youth who finds their purpose by discovering their own strengths and coming to terms with their weaknesses.  In some ways we see that theme developed in Weetzie Bat (2009).  But the novel is anything but formulaic.  Its originality is precisely what makes it stand out.  Her strengths as an author are both her ability to tell the tale with conciseness through use of selective yet memorable details -- at 109 pages, this work is unusually short, in fact.  This same quality applies to her use of fewer but well-developed characters -- each is presented in adequate depth and with a certain tenderness of observations that brings the reader closer to them and ultimately to an understanding of Weetzie as a person.  This is a charming, poignant work that I can count among my top-ten in the young adult category.

Part VI: Citations

Francesca Lia Block. (2010). Bio [webpage]. Retrieved from http://www.francescaliablock.com/bio

Sparks, N. (n.d.) The four basic elements of any novel.  Retrieved from http://www.autocrit.com/editing/library/the-four-basic-elements-of-any-novel/

Sunday, August 25, 2013

The Bluest Eye, a novel by Toni Morrison




Part I: Bibliographic information


Type: Fiction
Title: The Bluest Eye
Writer: Tony Morrison
Originally Publication Date/Publisher: 1970/Holt, Rinehard and Winston
Genre/subgenre: Domestic/Girls
Interest Age: 15+
Reading Level: Upper Grades (UG 9-12)
Pages: 215
ISBN: 9780452273054
Awards: Morrison was awarded the Nobel Prize for Literature in 1993; The Bluest Eye (1970) was her first novel.


Part I: Reader’s Annotation, Plot Summary, Critical Evaluation


Reader’s Annotation --  The story of two African American sisters who comes of age in a family that struggles for the basics and employs a heavy-hand in disciplining the girls. The family briefly fosters a child from a broken home named Pecola who dreams of having blue eyes as an escape from her disturbing and tragic reality.


Plot Summary --  The beginning opens as a play on the Dick and Jane reading books many of us who grew up in the 1960s read.  This introduces the idea of an idealized family unit with mother and father but in this version no one will play with or smile at the girl.


The novel then moves to being narrated by a young girl, Claudia, though later the story becomes from an all-seeing narrator.  Claudia and Frieda return to school for the fall. They get new socks but that’s about it.  As they walk from school, they sometimes gather coal chunks along the railroad track in burlap sacks.  She describes her house as “old, cold and green.”  The have light at night only by kerosene -- and the adults don’t interact with them except in a cold and contemptuous fashion.  Her mother does seems preoccupied with surviving and keeping her girls from taking the wrong path in life.  But she shows her essential kindness when she takes in Pecola, a girl whose family is challenged by alcoholism and abuse.


Pecola feels she is ugly and is teased at school.  She starts to think about if she looked different -- if she were different -- she would be “Pretty-eyed Pecola” and not the target of the more fortunate children.  Her mother is a maid who escapes into her work with another family and her father is a very troubled man who was abandoned by his mother as a child.  


At school, the sisters dislike another girl at school named Maureen who has everything they would like. Sometimes she fantasies about kicking or scratching those she is jealous of but she does not act on it by and large.  They start calling her “bear-tooth six-finger Meringue Pie” but the girl tries befriending them -- only it ends with a fight after Maureen brags about having a dollar and ice cream while they have none.


The girls come home one day and their parents are away to work their garden leaving
Mr. Henry, a boarder, in the house.  He brings in two less-than-reputable women with whom he is carrying on.  The girls are frightened but he gives them money for ice cream.  Later Mr. Henry attempts to molest Freida but she goes to her parents and her father nearly kills them man as he’s chased off with a gun.  


The girls live in constant fear of ‘nasty’ things and people, and when they see one of Mr. Henry’s women later as they visit Pecola’s apartment house they refuse to associated with her.  Pecola explains that the woman is actually kind to her.  We start to see the girls questioning their parent’s view to some degree as they begin to be curious about sexual things and more aware of the world and its unfairnesses and complexity.  The see that Pecola’s world is not so simple and they feel sorry for her.


Much of this foreshadows the horrible rape of Pecola by her father.  Pecola’s mother does not believe her story and beats her. The girl  turns to a neighborhood spiritualist -- a strange man from the West Indies. She seeks him out in order to change her eyes to blue. He pretends to help through prayer but uses her to carry out a killing of a dog he dislikes. She becomes socially ostracized and is pregnant by her father.  The sisters Claudia and Frieda want to help her keep the child and make a plan to save money for the child’s care.  But Pecola loses the baby.  And, after a second rape, she begins to fall into insanity as she goes further into her fantasies of having blue eyes.


Critical Evaluation --  This remarkable work of fiction has appeal to all ages.  Qs a coming-of-age novel, it has particular appeal to young adults who are grappling with the reality that life and people do not always meet expectation. The themes of deep-seated racial prejudice -- and self-loathing -- as well as sexual exploitation are mature in nature and this novel has been one targeted for ban in some school libraries.  However, the sexual content is overtly crude and introduced with thoughtfulness as she mixes curiosity with sheer dread on the part of the children.  


Morrison has the ability to paint with words the feelings that go along with the events that are transpiring.  She introduces shame associated with sexuality early in the work when Pecola, the fostered girl, get her firms menstrual cycle.  The girls feel they are going to be beaten.  Another reality the girls face is that they are beaten regularly.  Their parents are strict and indifferent to the girl’s feelings -- and though the fight and have jealous the two sisters really only have each other for emotional support.


The novel is complex thematically and cannot be boiled down to one moral message.  In part, the reader sees the family’s experience in the shadow of slavery.  Their economic and social plight is connected to their role as subservient to those with resources -- who are by and large white.  The two male characters are almost scary in their coldness toward the woman.  Their father is stern and we feel the distance between them.  The guest male who attempts to molest Freida has other demons -- mostly his sexual desires are not in check and he crosses the line with the girls.  


Their mother is overburdened and almost seems to dislike the girls.  Her love for the girls has little warmth to it though they overcome the toughness of their circumstance largely because of their parent’s protective if not callous ways. In the end, the reader is left with the fact that the survival in economically and socially challenged circumstance involves no small amount of brutality -- violence is common, sexual exploitation skirts the edges of their world and emotional needs take a backseat to more pressing matters.


Part III: Author Info


Toni Morrison was born in Lorain, Ohio, in 1931.  Among her influences are James Baldwin, William Faulkner, Doris Lessing and Herman Melville, according to her Goodread biographical profile.  


Her Goodreads profile also states: “Toni Morrison (born Chloe Anthony Wofford), is an American author, editor, and professor who won the 1993 Nobel Prize in Literature for being an author "who in novels characterized by visionary force and poetic import, gives life to an essential aspect of American reality."


Goodreads has this about her works: “Her novels are known for their epic themes, vivid dialogue, and richly detailed African American characters; among the best known are her novels The Bluest Eye, Song of Solomon and Beloved, which won the Pulitzer Prize for Fiction in 1988. In 2001 she was named one of "The 30 Most Powerful Women in America" by Ladies' Home Journal.” Some of her othe works include which include Sula (1973), Tar Baby (1981), A Mercy (2008) and, most recently, Home (2012).


Part IV: Curriculum Ties, Diversity, Booktalk Ideas, Challenge Issues


Curriculum Ties, if any -- Toni Morrison’s work is among the most literary of her generation.  The Bluest Eye (1970) belongs alongside the English language coming-of-age classics and would be a strong candidates for high school English courses.  The work could also be used in a course on race and gender studies.


Diversity of Cultures -- Morrison is considered a maverick of literature dealing with the issues of race and gender.  She has taught at Howard University, the nation’s leading institution of higher learning for African Americans.  Her other works also address themes of race in the historical context of post-slavery social and economic realities.  


Booktalking Ideas --  Ohio was part of ‘the North’ during the Civil War. Yet we see a great deal of prejudice in this novel -- and the family is barely able to feed, cloth and keep itself warm during the harsh Midwestern winter.  Discuss the migration of African Americans from the South to the industrial north and the social impact of these moves on their communities.


Challenge Issues --  Most of Morrison’s works include the realities of life during the pos-depression era in full color -- incest and alcoholism are addressed in this work.  Several of her books have made the ALA’s most banned books lists over the years.  It is in part because of her unadulterated portrayals of life that she has become an award-winning author who is highly respected for within the world of writing.  While most will find this work disturbing, it remains a ground-breaking piece of literature that does not filter realty to appease our sensibilities.


Part V: Reasons chosen


There are certain classics in literature that never leave you.  The Bluest Eyes (1970) has this quality.  It offers an uncleansed version of the reality faced by generations of African American in the post-slavery era.  This work -- and its author -- are simply powerful and yet thought provoking in ways that much of today’s literature comes up short.  The tempo and descriptive poignancy bring the reader to that time and place that was post-depression Ohio.  The novel has been challenged for its content -- sexual violence, mainly -- yet the work is more complex than that single issue.  The themes of racial discrimination and the socio-psychological impact of that paradigm on the African Americans are explored.  Morrison was still teaching at Howard University, one of the leading African-American colleges and a center of intellectual exploration of race issues then (and now).  The novel takes on many of the threads in that dialogue in a sophisticated yet poetic way.  For young adults, this work offers a broad overview of some of the race issues that are still being discussed in America.  I highly recommend it to readers age 15 or older as part of a well-rounded exposure to significant works (and authors) in American literature.


Part VI: Citations

Toni Morrison. (n.d.) Goodreads [webpage]. Retrieved from http://www.goodreads.com/author/show/3534.Toni_Morrison